Mary is Gabe's sister. She is supporting Mona with Gabe's care during his dementia decline.

Compañero de escuela de Pablo, se encuentra conversando con otros niños en el patio cuando Pablo llega alterado y lo agrede físicamente sin provocación directa. Ante el ataque, el niño intenta defenderse mientras niega haber hecho algo, evidenciando que no entiende la reacción de Pablo.

Participa como ponente en una presentación pública en una librería junto a Rubén, dentro de un conversatorio frente a audiencia. Sostiene una postura crítica pero institucional, defendiendo la importancia de la denuncia ciudadana como motor de cambio social. Durante el diálogo entra en confrontación verbal con Rubén, quien lo interrumpe y desacredita su punto de vista frente al público, generando tensión visible y obligándolo a contener su incomodidad mientras continúa el debate. Su presencia funciona como contrapunto ideológico dentro del foro y permite evidenciar la personalidad dominante de Rubén frente a terceros.

Especialista en reconstrucción de tejidos y cirugías estéticas para personas quemadas, entiende que estos procesos clínicos pueden resultar emocionalmente intensos para las víctimas, se muestra atenta al estado emocional y físico de sus pacientes y se preocupa por el bienestar de quienes atiende. Se preocupa por Gaby después de que huye de su primera consulta y llama a Alicia, amiga de Gaby.

Instructor de una clase de bailoterapia nocturna, dirige una sesión grupal de ejercicio donde participa Itzel la mejor amiga de Gaby. Animado, energético y atractivo.

Participante en un programa que mira Emilia, la periodista que investiga el caso de Gaby. La invitada del programa aporta información respecto a la violencia química, o ataques con ácido realizados contra mujeres.

Brad is a character who believes he was born to maximize worker productivity. He is to the point and serious, but also ignorant of the concerns of his employees. He is like an evil Michael Scott. Brad does not think working an employee to death or covering it up is wrong as long as he is protecting the company's and his public image.

Gurpreet is desperate for a job. Coming out of university, he thought a job would come easily, but after many failed interviews, he has realized getting work will take a lot more than a good résumé. Despite his meek demeanour, he is a fast learner and will quickly realize how to gain an advantage from his situation in the film.

Jimmy, (Black) in his early twenties, works as a store employee. Within the hierarchy of the workplace, he is often treated as a scapegoat, bearing the brunt of blame and frustration. Seen as the weakest link, Jimmy stands out not due to malicious intent or incompetence, but because of his vulnerability and lack of experience.

Trans woman. Survivor. In transformation. Caucasian IRISH ACCENT PREFERRED Trixie is amid becoming—she is neither who she was nor fully who she wants to be. Participating in the heist to fund her gender-affirming surgery, she carries deep vulnerability beneath hardened resolve. Her internal conflict mirrors the film’s core idea of evolution: growth demands risk, but risk demands sacrifice. Trixie is the most morally grounded character, even as she participates in crime.

Career criminal. Philosopher of survival. Caucasian IRISH ACCENT PREFERRED Pinky is sharp, cynical, and unsettlingly calm. He rationalizes crime through crude evolutionary metaphors, believing survival justifies all behavior. To him, morality is a luxury for those who can afford it. He mentors Trixie in his own warped way, blurring the line between care and exploitation. Pinky represents adaptation without empathy—evolution stripped of conscience.

Emma is a female high school student. Actor must appear to be a teenager.

Matt is a male high school student. Actor must appear to be a teenager.

Kyle is a male high school student. Actor must appear to be a teenager.

Samantha is a female high school student. Actor must appear to be a teenager.

NOOKOMIS Female 60+, Indigenous. Nookomis is the spiritual guide of the animal world. Her voice travels on wind, water, sunlight, not visually embodied. The children and animals in the series occasionally hear her, as she guides the baby sacred animals to the lessons they need to learn. Her voice is warm, soft, and calming. Her words are sometimes poetic, but she never lectures and is down-to-earth. She encourages, but never corrects. She is often amused by the adorable baby sacred animals, and her giggles and chuckles warm our hearts. PLEASE NOTE: signing ability (not essential, but an asset), and proficiency in Anishinaabemowin (a strong asset). Please just put it in your notes if you can sing or speak Anishinaabemowin .

Marin's Grandmother. She is a quirky, kind, and a hard working woman with lots of humour and groundedness. She had her daughter (Marin's mom) Lauryn quite young and had a divorce soon after. When Lauryn had her daughter young, she wanted to show support in the way she wished her family had given her. When her parents passed, she outbid her brothers, got the house and started a new life with Lauryn and Marin. Must balance going on tangents with being sincere. Comedy experience preferred.

The logical, trusting, and somewhat firm single mother of her teenage daughter, Marin(17). She upholds a type of independence in the home that she once aspired for her mom and now for her daughter. She had Marin in her early 20's, so as a young single mom, she turned to her mother for help. Now, Lauryn, Marin and Jean (her family matriarch) all live together in Jean’s house. Must balance authority and kindness. Comedy experience is preferred.

PLEASE SUBMIT ALL ETHNICITIES. Juniper “Juni” Wicklow is a timid but determined 17-year old. Juni is obedient and malleable, Maya and Juni are id and ego, one cannot exist without the other, they are rumoured to be lovers. Once they are separated and Maya is taken away, Juni slowly starts losing her grasp on reality. Juni must rescue Maya. Key traits: Juni is quiet, resilient, self-aware and clairvoyant.

PLEASE SUBMIT ALL ETHNICITIES. Maya Rosenthal (18-years old) is a wild card, a free spirit, uncontainable. When Maya learns that Juni is named to be taken away to the Heifers program, she sacrifices herself in hopes to save Juni. Maya is hedonistic, playful, spontaneous and self-destructive.