Details
Union:
Union or Non union
Area of media:
Short Film
Network:
Paid?:
Yes
Rates:
$275/day, Union or Non-Union
Deadline:
Aug 7, 2026
Auditions:
Sides to be sent via email.
Callbacks:
TBD
Shooting starts:
Sept 23, 2026
Shooting finishes:
Sept 30, 2026
Shooting locations:
Montreal, QC
Cities for response:
Toronto, Montréal, Ottawa
Storyline
A woman continues living with her ex in their shared apartment, where care persists, conflict is avoided, and love lingers unevenly inside a relationship that has already ended.
Roles
| Role type | Role | Gender & Age range |
| Lead | Sloane | 25 - 35 Years old |
Description Open. Perceptive. Restless. Sloane feels the distance between them before she can explain it. She longs for clarity, honesty, and one conversation where nothing gets softened or avoided. Tender but intense, Sloane is exhausted from trying to be seen by someone who loves her but cannot quite understand her.The film finds Frankie and Sloane as exes, still sharing an apartment and a life they haven’t quite managed to divide. Frankie isn’t sure the ending ever fully made sense. The role lives in the tenderness of someone who loves easily and listens selectively, and the quiet ache of what that costs. A quiet, interior chamber piece. Much of the work lives in stillness, restraint, and what goes unsaid. | ||
| Role type | Role | Gender & Age range |
| Lead | Frankie | 25 - 35 Years old |
Description Little One is written from lived experience and Frankie is inspired by a masc presenting lesbian of colour. Performers who share aspects of that experience are especially encouraged to submit. We will consider all submissions from all performers.Warm, gentle, and sure she’s one of the good ones. Frankie is easy to love and easy to be around, hopeful, quick to reassure, the kind of person who softens a hard moment with “everything happens how it’s meant to” and means it. That same lightness is how Frankie keeps the harder things at a distance, the ones that might complicate the picture of herself as kind and blameless. The film finds Frankie and Sloane as exes, still sharing an apartment and a life they haven’t quite managed to divide. Frankie isn’t sure the ending ever fully made sense. The role lives in the tenderness of someone who loves easily and listens selectively, and the quiet ache of what that costs. A quiet, interior chamber piece. Much of the work lives in stillness, restraint, and what goes unsaid. | ||