Caucasian/Male. (30) Tone: Charismatic, manipulative, refined villainy. Isabella’s childhood sweetheart and the hidden antagonist of the story. Polished and charming on the surface, Julian orchestrates the kidnapping that imprisoned Nathan for three years. He preys on Isabella and Sophia’s emotional needs, slowly inserting himself into the family until he nearly replaces Nathan entirely. Performance notes: A villain who weaponizes charm—controlled, sinister, emotionally abusive with a deceptively gentle exterior.

Caucasian/Male. (30-45) Tone: Loyal, grounded, steady. Nathan’s longtime assistant and the first person to show him genuine care after his release. Kent is the voice of reason and the emotional anchor that pushes Nathan toward reclaiming his worth and stepping back into the world he abandoned. Performance notes: Quiet strength; a character that exudes trust and reliability.

Caucasian/Male. (70's) Tone: Firm, authoritative, paternal. Nathan’s wealthy father and head of SVA Group. Though disappointed by Nathan’s past choices, he has always loved him deeply. His declining health and unwavering belief in Nathan become key forces that guide Nathan’s rise. Performance notes: Gravitas, aging vulnerability, emotional restraint.

Caucasian/Female. (30) Tone: Elegant, bright, sincere. A well-educated, accomplished young woman from a powerful family. Initially introduced as a potential arranged partner for Nathan, she represents a new chapter in his life—youthful energy, respect, and emotional safety in contrast to his past. Performance notes: Warm presence, charm, gentle confidence.

Caucasian & Open Ethnicity. Female. (35) A sharp, confident, and socially savvy businesswoman. Tina is Isabella’s outspoken friend who openly favors wealth, power, and appearances. She pushes Isabella toward Julian, believing he is the “better match,” often reinforcing misunderstandings without realizing the harm she causes. Not intentionally malicious—just pragmatic, judgmental, and driven by status. Casting tone: Strong presence, quick delivery, charismatic but slightly abrasive.

Caucasian/Female. (11) Tone: Spoiled, emotional, reactive, not malicious but immature. Raised in comfort and unaware of her father’s sacrifices, Sophia sees Julian as the provider she never felt Nathan was. She speaks before thinking, often hurting Nathan without understanding the damage. A near-tragedy forces her to confront how deeply she relied on her father’s invisible care. Performance notes: Strong emotional swings—brattiness, entitlement, vulnerability, and eventual self-awareness.

Jordan is a quiet, but cut-throat office clerk eager to climb the corporate ladder and get noticed by her boss, Desirée. She is intense, awkward, and possibly sociopathic. Note: Role requires partial nudity (underwear) and one intimate scene (kissing, undressing).

Desirée is sexy corporate evil; the kind of manager who likes to toy with her employees. Word around the office is she's got the hots for David... Note: Role requires partial nudity (underwear) and two intimate scenes (kissing, undressing, simulated sex).

David is the office hunk - tall, handsome, nice... a tad clueless, but that's okay! Unbeknownst to him, he's the target of Desirée's affection and Jordan's fury. Note: Role requires partial nudity (underwear) and one intimate scene (simulated sex).

Ben is leaving the workplace after a personal fallout with Desirée... the going away ceremony is awkward, to say the least.

Trevor is Jordan's annoying desk neighbour. He wishes he had a better shot at the new position, and he'll let everyone know it.

One of David's office friends. A bro-type, comedic relief.

David's other office friend. A bro-type, comedic relief.

An office clerk.

An office clerk who wants the new position. Note: Role requires partial nudity (underwear).

An office clerk.

An office clerk.

Sad employee is distraught that Ben is leaving; they were close... or at least she thinks so.

Voice only. Talib is a young man, anxious, and sad. He’s spent his life chasing after an idealised version of himself, a version where he’s happy. In his daydreaming, he only became bitter about all the things he’d never have. This animated film begins at the moment of his death. Talib feels he never got a real chance to live, and from this feeling grows a desperation to return to his life before it’s too late.