Sofía es la hija adolescente de Roger y Lola Pereda y hermana mayor de Mateo. Vive con su familia en un exclusivo fraccionamiento y, aunque pertenece a un entorno privilegiado, comienza a percibir que algo no está bien dentro de su casa: sus padres atraviesan problemas económicos y su relación se ha vuelto cada vez más complicada. Es cercana a Mateo y suele protegerlo, especialmente cuando tiene dificultades en la escuela. El día del asesinato de sus padres, Sofía llega a casa en bicicleta, encuentra la casa en silencio y descubre a Roger y Lola muertos, mientras Mateo permanece junto a ellos cubierto de sangre. Después del crimen es interrogada por JC y Mariana; recuerda que su madre estaba extraña en los días previos, aunque no conoce la verdadera naturaleza de los negocios ni de las relaciones de sus padres.

Mateo es el hijo menor de Roger y Lola y hermano de Sofía. Tiene problemas psicológicos y toma medicamentos, además de mostrar dificultades para regular sus emociones; pasa buena parte de su tiempo con videojuegos, tablet y anime. Sofía mantiene una relación protectora con él y suele ayudarlo cuando tiene una crisis. En la escuela tiene un conflicto con Helmut, el hijo de Hans Vogel, que lo afecta profundamente. Después del asesinato de sus padres, Mateo es encontrado abrazado a sus cuerpos y cubierto de sangre, pero se encuentra en estado de shock y prácticamente no puede hablar con los investigadores. Su abuelo Rogelio intenta protegerlo de las consecuencias públicas de los secretos de sus padres, mientras JC busca entender qué ocurrió realmente y qué pudo haber visto o escuchado Mateo.

Rogelio es el padre de Roger y Esteban, abuelo afectuoso de Sofía y Mateo. Es un hombre con gran experiencia en los negocios inmobiliarios y mantiene una relación cercana, aunque también exigente, con sus hijos. Roger recurre a él para hablar de sus proyectos y busca su aprobación para un negocio inmobiliario en Santa Fe, pero Rogelio establece límites sobre la manera en que deben manejarse los negocios familiares. Después del asesinato de Roger y Lola, Rogelio queda a cargo de acompañar a sus nietos y colaborar con la investigación. Defiende la memoria de su hijo, aunque reconoce que Roger atravesaba serios problemas económicos, y le pide a JC que tenga cuidado al investigar la vida privada de Lola porque no quiere que Sofía y Mateo sufran las consecuencias de los secretos de sus padres.

Comandante superior dentro de la Policía de Investigación, tiene autoridad directa sobre JC y Mariana. Conoce el trabajo de ambos y reconoce especialmente las capacidades de Mariana, a quien considera una de las mejores de su generación y mantiene bajo su protección profesional. En apariencia dirige la investigación siguiendo los protocolos y procurando mantener el control sobre sus agentes, pero su relación con Óscar Carranza genera dudas cuando le resta importancia a las investigaciones que lo involucran. Cuando JC continúa investigando a Carranza pese a sus instrucciones, Márquez lo enfrenta, lo suspende y le recuerda que debe actuar bajo su mando. La actitud de Márquez lleva a JC a sospechar que podría estar protegiendo a Carranza y que existe una relación entre ambos que va más allá de la investigación oficial.

Hombre casado, de familia acomodada y atractivo empresario, vecino de Lola y Roger en el exclusivo fraccionamiento donde viven, los hijos de ambas familias estudian en la misma escuela. Tras el asesinato de Lola y Roger se mantiene al margen de la situación y, aunque inicialmente niega haber tenido una relación cercana con ellos, la investigación descubre que tuvo un candente encuentro con Lola y que Roger lo extorsionó con una fuerte cantidad de dinero para no hacer público el engaño. Después del asesinato, Francisco se muestra nervioso durante el interrogatorio de JC y Mariana y procura minimizar la naturaleza de sus vínculos con los Pereda.

Clara, a 25-year-old woman who has been working most of her recent acquired adult life in dull, mindless, toxic corporate job. Jaded Clara tries her best to maneuver the workday with as little friction as possible, dealing with her complacent coworkers, and mainly, her selfish money-hungry boss. She’s a tenacious person, that can persist even when the situation is pretty bad. She’s a curious person that likes to know everything, but now, after some years working on dull jobs, that part of her has been dormant.

Max, a 27-year-old man who, for his age, has become a selfish hungry-money person, obsessed with proving himself to everyone, never secure of his own abilities. He’s a pretentious known it all supervisors of Clara’s branch. He likes to dismiss the people under him, stealing their ideas and character traits, and passing them on his own. He also loves to suck up his superiors, always trying to be looked at. He can’t read social cues, will do anything to climb up the social ladder and will claw with all his heart to stay there.

Simon, a 28-year-old man, coworker and closest friend of Clara, has always tried to go with flow, avoiding confrontation, he’s laid back, socially aware, and occasionally superficial. He has a strange optimism always present, even in the worst time. Almost to an extreme of not accepting that thing might not be okay. Around the office, he’s friendly with most of them, and he seems to be the only one who genuinely doesn’t mind doing the work.

The newest hire but has been here for a couple of months. Gen Z and may have overexaggerated her experience on her resume. The other employees love her but can be annoyed by her incompetence on occasion. She has a good repour with the rest of the employees.

Amanda with her years of experience (64-years-old) has become, without asking for it but wanting more than anything, the office mom. Her cubicle has become a reflection of her house with warm and cozy decor, almost like a grandma’s house. She’s a lonely person; she spends her time by herself doing much to nothing on her couch. She just waits for the time to clock in and dreads the time to clock out. That’s why she made sure that people around the office like her, so she can trap them into an interminable conversation that really goes nowhere specific. She’s a genuinely nice and sweet person that just looks for a glance of human connection, something that leads her to be, sometimes, a bit oblivious.

Dwayne is a wise person that has accepted life as it is, not asking much but a nice place to sleep, to go to the bathroom and to die. He doesn’t enjoy many things in life but eating delicious food. Sadly, for Dwayne, he’s not immune to stress having exactly three weak points: Having enough coffee in his system to stay awake throughout the day. The dreaded deadlines And the terrible, useless, stupid printer that most days don’t work at all.

Success has not completely changed Jordana; she knows where she comes from and how much sacrifice her beloved ones have put in for her to get her there. Every day of her life tries to stay humble, to recognize that one day, everything she has and she is, can be gone in the snap of a finger. But sometimes, holding that much power as CEO, bents her morals. She always tries to put the employees first, but she’s not always successful with that. Her experience in life has given her the insight of knowing Max’s excessive love for the company is pure crap. She has been looking for a good reason to get rid of him, but she has been pushed back by the board because of his numbers.

Cynthia is of asian decent, she is the mum to Dalton (in his early 20s), she is somewhere between 45 - 50.

An Italian waitress working at a cliffside restaurant in Italy. An Italian accent would be a bonus.

Female, 25-35 years old, any ethnicity. She spent a year - maybe two - completely obsessed with him. Now that he loves her back, she can hardly stand to look at him. She’s funny, anxious, and deeply ashamed of how she lives when no one else is looking. She knows he is kind. She knows he does not deserve this. But every little thing he does has started to disgust her, and she can’t force the feeling to go away. Dryly funny and terrified of being seen, she learned as a child that love is demonstrated through contempt and criticism.

Performer must be comfortable with simulated sex and kissing with their on-screen boyfriend; nightgown/costume coverage; extensive facial creature prosthetics and makeup; and physical action across a table...An Intimacy Co-ordinator will be engaged.

This role must be avail in September for prosthetics prep with rehearsal to follow in October (exact dates TBD)

Male 30-40 years old, any ethnicity. He is sweet, slovenly, and very much in love with her. He demonstrates devotion through acts of service; he cooks for her, takes care of her cat, and tries to make their home feel safe. He also has no table manners and is unashamedly gross. But he is not as oblivious as she thinks. When backed into a corner, he stops being so accommodating and shares his own harsh truths. He is genuinely lovable, even when being spectacularly gross. The humour should come from how specific and human he is, rather than playing him as a joke.

Performer must be comfortable with simulated sex and kissing with a woman on camera; shirtless performance with blanket/modesty coverage; eating on camera; extensive facial and hand creature prosthetics and makeup; and physical action across a table. An Intimacy Co-ordinator will be engaged.

This role must be avail in September for prosthetics prep with rehearsal to follow in October (exact dates TBD)

Female, 60-70 years old, any ethnicity. She loves her daughter, but cannot get through a phone call without making her feel worse. She is funny, judgmental, and completely unaware of how much damage she does. The cruelty is casual. She is not trying to wound her daughter - this is simply how she’s wired.

Male, 16-18, South Asian. Performer must be 18+ but can play 16 years old. Musa is on the brink of turning sixteen - he’s sharp-witted, sensitive and stubborn. He’s also missing his mother, in ways he can’t yet process or fully understand. It’s his birthday today but he’s too cool to let you know he cares. A boss man who has no interest in the ins and outs of a kitchen (anymore). He’s trying to shed all the things he considers childish. Beneath this nonchalant facade, he yearns for connection and misses the simplicity and fun of cooking a meal with his mom.

Looking for someone who can play both attitude and sensitivity/vulnerability. Someone with a rich, inner life and imagination/quirkiness but who rarely shows it to others anymore. Someone who’s between the awkwardness of becoming a grown up and still very much a kid.

Seeking a strong naturalistic actor with emotional subtlety and comedic instincts.

Female, 45-60 years old, South Asian. Usma, a self-taught baker by nature - precise, perfectionist, likes being in control. Her kitchen is her safe haven, her lifelong learning lab. She is particular and cares deeply about doing things “the right way”. Beneath this measured exterior, she doesn’t always trust her own instincts. She always needs to have a plan, unlike her more free-spirited sister, Sabeena. Usma should feel grounded, within the heightened nature of the magical world. She can be funny without being quirky, emotional without becoming overly sentimental.

Seeking a strong naturalistic actor with warmth, comedic timing and emotional depth. Must be comfortable with improv/physical comedy.