Don Roberto es el jefe de Marcos en el taller mécanico de motos, tienen una buena relación, hay confianza entre ellos por lo que Don Roberto le hace encargos o le pide favores que a otros empleados no, como el guardar herramientas e implementos valiosos.

Policía en funciones que interviene tras el incendio ocurrido en el taller de piñatas de Trini. Está trabajando directamente en la inspección del lugar cuando comienza a detectar indicios de que el fuego no fue accidental. Durante la revisión encuentra pistas que apuntan a que el incendio fue provocado por lo que debe informar este hallazgo y formalizar que el caso pasa de ser un siniestro a una posible investigación criminal.

Lencho trabaja como repartidor en un restaurante de comida coreana cuya dueña es la señora Kim. Debido al interrogatorio que realizan los policías que investigan a Jacky -su prima- que trabaja en el área de cocina del restaurante, la señora Kim lo llama para declarar. Jacky está como sospechosa del ataque con ácido a Gaby, Lencho no quiere meterse en problemas ni a Jacky, pero sabe que lo que diga puede complicar la situación, por lo que decide ser honesto en todo momento.

Must convincingly portray fear. Slight unassuming physicality preferred. Meek, submissive demeanour with emotional depth. Background in comedy an asset. Comfortable with detour casting and light prosthetic application. Dark thematic material. Must be willing to travel to Northern BC. Partial nudity: boxer/briefs for half of shooting (in August), full clothed the other half.

Commanding, brooding, physicality. Capable of shifting from college professor to a deeply unsettling creep. Background in comedy an asset. Missing teeth, body hair, bald or heavy beard also an asset (or comfortable with prosthetic beard and dental work). Dark thematic material. Must be willing to travel to Northern BC.

All ethnicities. An off-camera reporter excitedly approaches an athlete after practice, delivering a high-energy voiceover line; and requires bilingual Québécois French. LEAD.

All ethnicities. Male or female. An upbeat reporter interviewing the athlete post-practice, eagerly awaiting his response. SOC.

All ethnicities. Male or female. A calm, supportive coach observes and checks in on the athlete post-practice. SOC.

Up to 5'11", athletic build. Must have soccer-playing experience. BG.

Must be Pakistani. A creative, intelligent, emotionally repressed young woman torn between filial duty and personal freedom. Sensitive yet quietly defiant. Has a deep inner life, theatre lover, former painter, dreamer. Heavy dramatic arc from obedient daughter ? emotionally explosive confrontation ? psychologically ambiguous transformation. Must handle intense emotional scenes, physical performance elements, and psychological horror beats. Requires strong subtle acting and controlled escalation.

Caucasian. Ayesha’s best friend. Playful, modern, outspoken. Represents Western individualism in contrast to Ayesha’s cultural expectations. Her humor masks anxiety. Loyal but naïve about consequences.

South Asian. A hardworking immigrant father who believes security equals love. Authoritative but not villainous, he truly believes he is protecting his daughter. Carries pride, fear, and generational trauma.

South Asian. A gentle, deeply conditioned woman who once lived Ayesha’s fate. Torn between empathy and survival. Her silence carries decades of compromise.

Calm, authoritative spiritual leader called to perform an exorcism. Grounded presence amid chaos. Requires strong vocal presence. Ritual recitation (Quran verses). Controlled physical blocking during exorcism.

A mysterious spiritual healer whose true nature may not be human. Calm, enigmatic, unsettling.

South Asian. Polite, awkward prospective groom. Not malicious, simply part of the system.

“Iron” Percy Rivers is a seasoned stuntman who has a reputation as a cool, calm professional. He’s been in the game long enough to know when something doesn’t feel right, and when an amateur film crew wants him to perform a dangerous stunt, his reputation and career are put on the line. During the leadup to the stunt, Percy is questioning himself - is he overthinking things? Is it really that dangerous? Percy wars with himself, whether to be the steely professional, or trust his instincts. Once he makes the decision to walk away from the stunt, he stands on it, outwardly confident but inwardly still rattled. There is a strong undercurrent of uncertainty in his character until the end of the movie, where he’s proven right and finds his peace.

Ari is a young production assistant, working on the crew of an amateur film production. She has an energetic personality, and is willing to put up with discomfort and tough conditions in order to set herself apart. This belief of hers is challenged when she sees a stuntman stand up for himself when asked to do a dangerous stunt. She recognizes that if she keeps sacrificing her agency, she might be put into a dangerous situation like him. Ari’s admiration of the stunt man’s courage leads her to pursue a career in stunts, working with the stunt man now turned stunt coordinator on new productions.

Georgia is a new director who is trying to break out onto the scene. She’s focused on her work and the process of making her film at the expense of the people around her. The human touch has been pushed aside for Georgia, who doesn’t have the patience or time for anyone not fully dedicated to her vision. Her confidence has morphed into dismissiveness as she forgoes collaboration in favor of her single-mindedness.

Steve is a lax stunt coordinator, who sits on his laurels and allows his past reputation to do the majority of his work. He has no qualms about using his moderate fame inappropriately, including to secure jobs he’s not qualified for, and to try and impress young women on set. His reputation is everything to him, and when the stuntman he hired refuses a dangerous stunt, Steve doesn’t hesitate to get aggressive. He’s a bully, who expects those around him to follow his orders without question.