James is Margaret's roommate. He works at a T-shirt printing shop. He's arsty and has been meaning to become a tattoo apprentice for about 5 years, but he hasn't gotten around to it. He's been dating Ally for a couple of years on and off. She's not like him - she's beautiful, smart, ambitious. A bit of a handful, but he likes that sometimes. She likes things that are a bit classier, so he's not entirely sure why she likes him, but they've been good for each other in a lot of ways. He wants to be better for her.

Ally works at a marketing firm and is quickly rising up the ladder. She prides herself on her work and loves the paycheque that comes with her career. If that means she's sometimes her boyfriend James' sugar mama, so be it. He's very different than her, but she likes that. He can be really sensitive in a way that the boys in business school never were. That being said, he can also be manipulative, and she feels that she's finally waking up to that. Her girl friends at the firm don't particularly like James and so she's stopped telling them about their fights recently.

Can play the role of male, JUDGE DUGAN is a cop and DA Friendly Judge with eyes on becoming Mayor. Dugan resides over Tony’s pre-trial. Ambitious, politician at heart, bit of showman.

Can play the role of male, OWEN MULLIN is Tony's pre-trial Defense Lawyer. Not quite the shark that Tony was hoping for, Mullins arguments are a bit too chummy with Ruckelhaus and Gallagher. Mullins is part of the boy's club.

Can play the role of Male, STAN DENNINGS is a wannabe Robert Evans who has made his way to Indianapolis to meet with Fred, hoping to secure interest in the Tony Kiritsis Saga!

Can play the role of Male, this REPORTER gives Tony some advice.

Can play the role of Male, this is the PROSECUTOR at Tony’s pre-trial and is aghast to see Tony’s own defense skills.

Can play the role of Male, the ORDERLY works for the Psychiatric Hospital where Tony is held and delivers some bad news to Fred.

Can play the role of Male, Judge Dugan’s right hand CLERK. He’s heard all Dugan’s jokes one too many times and secretly hates his boss.

Can play the role of Male, OFFICER WALT SHERMAN, works with Chief Gallagher as they develop a contingency plan to take Tony down.

Renee is a quiet, intuitive and vigilant woman. She wakes up disoriented and alone in a remote forest, and is desperate and determined to find her way home. She discovers an isolated house and prepares her sharpest key when knocking on its door, ready to fend for herself. When Lorraine welcomes Renee into her home with a motherly warmth, she becomes dissociative and aware of her current state of panic. Renee is adamant about getting a phone, looking for any opportunity to get help. However, Lorraine convinces Renee to stay and rest until her son Malcolm arrives home to help her call home. Once Malcolm arrives, Renee anxiously waits for his phone to charge. While passing the time and exploring the home, she starts to notice eerie layers hidden beneath the welcoming surface: displayed photographs of different women. Malcolm’s frightening behaviour adds to her nerves, as she understands that her intuition is scarily correct. Renee is continuously alert that she is being watched by Malcolm, and her heightened awareness of danger fuels a defensive and instinctive reaction to escape.

Lorraine represses her fear of Malcolm with performative smiles and eerie gentleness. Her demeanor is warm, tender and welcoming towards Renee when she arrives at her house. As a woman, she sympathizes with Renee; however, Lorraine doesn’t warn her of Malcolm’s known danger. Instead, she convinces Renee to stay in their home until he arrives. Lorraine lures her in with food, warm drinks, and a hint at vulnerability when she reveals that she grieves the death of her daughter. She is the victim and enabler in the violent cycle Malcolm perpetuates, as she submits to him by remaining quiet and compliant. Seemingly accustomed to this cycle, Lorraine remains emotionless with every action.

Malcolm is a charismatic, controlling and volatile man who has a predatory fixation on women. His obsession with Renee begins with a performative politeness, growing into a ritualistic and calculative psychological manipulation. His goal is to keep Renee confined in his home. His initial forced charm progresses into pushy intrusion when Renee distances herself, resulting in an irritation that fuels a violent aggression. He uses his male presence as a threat to enforce control and instill fear in Renee and Lorraine; snake-like, his calm and controlled speech unexpectedly turns into harsh and chilling tones. He can’t accept when things don’t go his way, especially when he expects perfection and total submission in the domestic tasks Lorraine performs.

South-East Asian Male | Must be proficient in Khmer Sentimental, hopeful, comfortably rooted in old habits. --- Homme sud-asiatique | Doit maîtriser le khmer Sensible, optimiste, ancré dans ses habitudes.

Pou's son. South-East Asian Male Practical, devoted, culturally distant. --- Fils de Pou. Homme sud-asiatique Pratique, dévoué, éloigné de sa culture.

Pou’s grand-son Asian or Mixed-Asian Boy Observant, distant, quietly curious. --- Petit-fils de Pou Garçon asiatique ou d’origines mixtes Observateur, réservé, discrètement curieux.

Person of colour | Male Quiet, introspective, wandering soul. --- Personne racisée | Homme Silencieux, introspectif, esprit vagabond.

INDIGENOUS WOMEN PERFORMERS PREFERRED, KOOTENAY, CREE OR CROSS-BORDER NATIONS ENCOURAGED TO SUBMIT. Kamiah is a cross-border Barbie who switches life directions as fast as she switches outfits. Warm, chaotic, sparkly, and magnetic, she has declared twelve community college majors, loves Lizzo-level affirmations, and is everyone’s favourite little sister even when she creates friendly chaos. She is figuring out what she wants and what growing up looks like.

INDIGENOUS WOMEN PERFORMERS PREFERRED, KOOTENAY, CREE OR CROSS-BORDER NATIONS ENCOURAGED TO SUBMIT. Hailey is brilliant, hyper-attentive, organized, and unravelling in real time. After a childhood filled with tradish upbringing, she is now entering a late-blooming wild-child-era after losing her Harvard scholarship and moving home. She sees the big picture of historical trauma, wants to do right by her community while working at a resort that tests every value she has.

NON NATIVE MALE. CASTING LOCAL SASKATCHEWAN ACTORS ONLY. An ex-oil and gas executive who took one heroic dose of acid in the eighties and became a full-time wellness enthusiast. He is loyal, practical, conflict-avoidant, spiritually co-dependent, possibly bisexual, and absolutely lost without a powerful woman to orbit. Linen is his whole personality.