An ER nurse assisting with Maggie’s gurney and hospital care. Present and attentive. Non-speaking role.

A kendo-trained mafia heiress who returns home to find her mother abused and her birthright stolen. Arc: Evolves from a wronged daughter into a calculated, unstoppable mafia leader who dismantles her father’s empire and claims her throne. Intimacy: None. Stunts: Heavy action — baton disarms, knife threats, golf-club kill, electrified belt-whip, takedowns. Stunt coordinator will be present for all stunt scenes. Driving: None.

Lucia’s composed, strategic right-hand and the CEO of OMERTA, arriving with a tactical team to support her takeover. Arc: Acts as Lucia’s stabilizing anchor, revealing her hidden power structure and helping secure her leadership. Intimacy: None shown (emotional tension only). Stunts: Tactical entry, minor combat beats. Driving: None.

The corrupt patriarch who stole the family wealth, replaced his wife, and installed fake heirs to maintain power. Arc: Falls from a feared mafia boss to a humiliated, exposed fraud as Lucia tears down his lies. Intimacy: PG-level affection with Tessa. Stunts: Physical altercations, pushed/slapped, humiliation beats. Stunt coordinator will be present for all stunt scenes. Driving: None.

A spoiled, cruel “princess” who bullies Angela and believes she runs the household. Arc: Falls from arrogant entitlement to a publicly humiliated impostor after Lucia exposes the truth. Intimacy: None. Stunts: Slaps, cake-face gag, light scuffles. Stunt coordinator will be present for all stunt scenes. Driving: None.

Lucia’s biological mother, emotionally shattered after years of abuse and gaslighting. Arc: Shifts from a broken, silenced victim to slowly regaining dignity and protection under Lucia. Intimacy: None. Stunts: Receives non-sexual physical violence (slaps, stomps, dog-cage threat). Stunt coordinator will be present for all stunt scenes. Driving: None.

A violent, intimidating fake “son” installed by Salvatore as an heir and enforcer. Arc: Drops from dominant aggressor to exposed impostor forced into submission as Lucia takes power. Intimacy: None. Stunts: Hand-to-hand combat with Lucia, shoulder injury, aggressive physical beats. Stunt coordinator will be present for all stunt scenes. Driving: None.

Salvatore’s manipulative mistress who poses as the new matriarch and delights in Angela’s suffering. Arc: Collapses from controlling power figure to publicly humiliated and stripped of status. Intimacy: PG-level affection/kissing with Salvatore. Stunts: Minimal — slap, shove, humiliation moments. Stunt coordinator will be present for all stunt scenes. Driving: None.

Caucasian. Outwardly pure and gentle — the perfect “good girl.” In reality, Daisy hides ambition and a sharp mind beneath her innocence. After enduring years of psychological torment, she’s learned to survive through patience and manipulation. Meeting Cameron gives her the weapon she’s been waiting for. Tone: Intelligent, layered, calm but dangerous underneath. Acting Notes: Balance vulnerability and quiet power. Intimacy: Includes implied romantic and sensual scenes (no nudity). Filmed on a closed set with an intimacy coordinator. **Open to LA & Vancouver Actors **Must have vertical experience

Caucasian. The young heir of the McQuoid family empire. Calculated, ruthless, and emotionally restrained — until Daisy enters his life. She is the one person who can both soften and destroy him. Tone: Cold, charismatic, quietly dangerous. Acting Notes: Ability to convey tension and desire through minimal dialogue. Intimacy: Includes implied romantic and sensual scenes (no nudity). Filmed on a closed set with an intimacy coordinator. **Open to LA & Vancouver Actors **Must have vertical experience

Caucasian. Daisy’s uncle. A refined monster. Obsessed with Daisy’s mother in his youth, he engineered the “accident” that killed Daisy’s parents and took Daisy in as his ward. Beneath his gentlemanly facade is a controlling, perverse need to own everything — especially Daisy. Acting notes: Villainy through charm and restraint, not shouting. **Open to Vancouver Actors ONLY

Caucasian. Greg’s wife. Sharp features, sharp tongue. She knows her husband’s heart was never hers and directs that jealousy at Daisy. Hypocritical, unstable, and cruel, she maintains the “proper family” image while emotionally torturing the girl in her house. Acting notes: Can flip between social politeness and vicious attacks in a beat. **Open to Vancouver Actors ONLY

Caucasian. Daisy’s cousin. Spoiled, impulsive, and vindictive. Takes pleasure in humiliating Daisy. Tone: Loud, insecure, emotional. **Open to Vancouver Actors ONLY **Must have vertical experience

Open ethnicity. Daisy’s best friend. Bright, loyal, and kind — the light in Daisy’s darkness. Tone: Natural, warm, supportive. **Open to Vancouver Actors ONLY

Caucasian. Greg’s son. Polished, self-serving, and morally bankrupt. Knows how to charm, but always with an agenda. Tone: Smooth, dangerous, charming fac¸ade. **Open to Vancouver Actors ONLY

Charismatic, free-spirited, emotionally intuitive. She’s comfortable in her skin. She is playful, magnetic, and naturally commanding in social spaces. Beneath the confidence, she’s tender and empathetic.

Grounded, sharp, and emotionally intelligent. She’s the stabilizing presence of her group. She is observant and warm, with quiet depth. Often the one who sees what others miss.

A deeply spiritual woman with a quiet strength. Loving, traditional, and poetic in presence. Carries the bittersweet ache of letting her son go while holding steadfast to faith. Has to be of South Asian ethnicity.

Stoic yet deeply loving. Expresses affection through silence and gestures rather than words. A man of faith, pride, and reflection. Has to be of South Asian ethnicity.

Curious, expressive, and sensitive. His face should carry innocence but with an undertone of awareness beyond his age. The audience needs to feel his empathy and quiet fear in the silence. Note: Has to be of South Asian ethnicity. Age range is flexible — we’re looking for actors who can believably appear around 8–11 on screen, not necessarily be that exact age. This is a non speaking role for one flashback scene of the lead character.