LET’S FACE IT nobody loves talking about their gut. But we’ve all been there. One part of you is powering through a meeting, while the other part is sprinting toward the nearest bathroom. It’s human. And it’s kind of fun. This film plays with that disconnect, not by going broad or goofy, but by turning it into a visually sharp, clever moment. A bit surreal. Totally relatable. And it all clicks into place when that little gummy works its magic. That’s the tension and release we’re capturing. We’ll shoot our character center frame, locked off. They don’t move. The camera doesn’t whip or rotate. Instead, we’ll create the illusion of movement by sliding the environments behind each body section; top, middle, and bottom in opposing directions. Think of it like a visual slot machine, where the “reels” are layered backgrounds moving laterally, one at a time.