Selected open roles for talent
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PROFILE 02 - DAUGHTER / BILLIE FEMALE. CAUCASIAN
(Looking for TWINS) - Open to non-union on this profile. Sweet, but not soft. The kind of kid with a determined glint in her eye, a gap-toothed grin that doesn’t back down, and hair that never quite stays brushed. There’s a quiet resolve to her—confident, unbothered, and just stubborn enough to get her way. Effortlessly real, with a spark that’s all her own.
PROFILE 03 - NAUTILUS OWNER / COCOA CUSTOMER
AFRO-DESCENDANT. She’s warm, approachable, and full of holiday cheer. The kind of person who might sneak you an extra cookie and remember your name. She has a contagious bright smile, and expressive eyes that feel kind. Friendly, grounded, and instantly likable
PROFILE 04 - BELL RINGER / DONATION COLLECTOR.
MIXED ETHNICITY. Charming and sincere, with a kind smile that puts you at ease. His face is lined with age, but his eyes still sparkle with life. There’s a warmth to him—approachable, genuine, quietly comforting. Not overly polished, not cartoonishly jolly—just the kind of familiar face you’d trust on a chilly December sidewalk.
Yasmin
20s, Speaks English with a Lebanese/Arabic accent and must be fluent in Arabic. Must be authentically Arabic. Please specify background nationality and spoken languages in self tape.
Joseph
Must be authentically Jewish Canadian, English-speaking. Please specify background nationality and spoken languages in self tape.
Maya/QuestChat Rep
Any Ethnicity. Charismatic, well-spoken, a "friend you trust" vibe. Needs presence, warmth, and relatability.
David
Any Ethnicity. A relatable single man looking for connection. Can deliver subtle emotional beats (loneliness, hope, curiosity). Everyday look – not overly polished, must feel real.
Jack
Any Ethnicity. The emotional anchor of the Hardline spots. Gay or LGBTQ+ identifying preferred (not required). Must show vulnerability, loneliness, confidence, and longing.
Hardline Rep
Any Ethnicity. Gay or LGBTQ+ identifying preferred (not required). Calm, reassuring spokesperson, think: grounded, authentic, non-patronizing tone.
Elliot
A man consumed by guilt and grief after his wife’s death, for which he is responsible in an abusive manner. Quiet, haunted, and emotionally imploding. He is a twisted man who victimizes himself, yet feels the guilt of his sins. Elliot seeks escape through physical transformation and ends up from withdrawn numbness to full-blown psychological breakdown. Actors should be comfortable with simulated prosthetics/blood and physical choreography under the guidance of a stunt coordinator. Should be comfortable with intimacy under the guidance of an intimacy coordinator.
The Tailor
Mysterious, calm, unsettling. The tailor speaks a few words but commands deep presence. He is both practical and philosophical — helping people disappear, but without pity. He is rooted in stillness, control, and ambiguity. He has seen people try to run away from their past but he knows at the end, it is going to catch up to them, someway or the other. He is accustomed to it. He is a medium for karma.
The Man
A grieving father who believes Elliot is the man who harmed his daughter. Burnt-out, controlled rage until it snaps. He regrets not being able to save his daughter and carries the emotional weight of it. He tries to use physical aggression and revenge as a way of coping up with his loss and guilt. He has a big overpowering physicality to him. Actors should be comfortable with physical choreography under the guidance of a stunt coordinator.
Celine
A bartender who connects briefly with Elliot. Curious, grounded, and warm — but emotionally distant. Appears in a few scenes that create contrast between the new identity Elliot adopts and the truth he can’t escape. She becomes a relief point for Elliot. Should be comfortable with intimacy under the guidance of an intimacy coordinator.
Maria
Elliot’s deceased wife. Appears in flashbacks and voiceover during Elliot’s mental breakdown. Warm, loving, but also emotionally intense. Requires powerful voice performance and presence in limited screen time.
Vera
Mid-20s. Nada's white best friend. Caring & upper-crust.
Chris
Late-20s. Tortured artist type, "complicated", Nada's on again off again ex.
Shannon
40s. Put together, charismatic & hypocritical indie theatre company director.
Nancy
Late 60s. Italian & fabulous. MUST SPEAK ITALIAN.
Hamama
70s-80s. Palestinian Elder. Loves to feed the pigeons.
Rod
Early 50s. Caucasian. Laura's hick boyfriend. Rockin' mullet, works for a weapons manufacturer.