All booked cast will be invited to an Industry Screening in December.
Director's Bio
Guillermo de la Rosa is an award-winning Venezuelan Canadian writer-director based in Toronto, Canada. His directorial work has screened in North America, South America, and Europe, including A Noise That Carries (Toronto After Dark, PANIC Fest, Renegade Film Festival), Light for Freedom (JAYU Human Rights Film Festival, Buddhist Film Festival Europe), and The Crocodile and the Capybara (distributed by Bell Media). His latest short film Forever, Liam continues garnering accolades, including BEST LONG FORM SHORT at Panic Fest and BEST INTERNATIONAL SHORT at Nevermore Film Festival. It’s also an official selection for the Academy Award qualifying Los Angeles Latino Film Festival.
He co-wrote The Shadow of the Sun, Venezuela’s entry for the 96th Academy Awards and is also the author of Su Grito en el Viento, where he adapts real-life encounters with ghosts and apparitions into short stories.
Guillermo draws from Venezuelan folklore, where the mundane and the otherworldly intertwine. Blending naturalism with magical realism, he challenges perceptions of belonging and normalcy and marries the grotesque with the beautiful. He is currently developing his first feature film, inspired by spectres and the nature of death in South America.
| Role type | Role | Gender & Age range |
| Supporting | Saúl | Male 40 - 70 Years old |
Description Male, 40-70 years old, open ethnicity. A tortured ghost, haunted by a life of love and luxury he couldn’t have and desperate to feel it one more time before he fades forever. He’s chosen Julio to be the provider of this experience. Saúl is unsettling not because he behaves like a conventional monster, but because he feels strangely human: needy, playful, intrusive and increasingly difficult to read. He wants Julio’s attention and companionship, approaching him with the familiarity of someone who doesn’t quite understand or respect a child’s boundaries. Requires an actor with strong physical presence who can move naturally between absurdity and menace without playing an overt horror villain.
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