Details
Union:
Union or Non union
Area of media:
Short Film
Network:
Paid?:
No
Rates:
Unpaid as per agreement between CFC & ACTRA for an 8+1-hour shoot day and 4-hour rehearsal. Overtime paid as CIPIP-35%.
Deadline:
Jan 9, 2026
Shooting starts:
Jan 27, 2026 1 shoot day + 4 hour rehearsal
Shooting finishes:
Feb 20, 2026
Shooting locations:
GTA
Cities for response:
Toronto
Comments
The CBC Actors Conservatory is recognized thoughout the industry as a vital hub for spotting and supporting exciting and original on-screen talent. This full-time creative and professional experience, which is programmed by the Canadian Film Centre, has launched close to 100 actors since it began and allows actors to expand their skills while empowering them to navigate career and marketplace opportunities. Each "CLOSE UP" showcases actors in a dramatic, character-driven scene. All CLOSE UPs are professionally produced and edited for a Canadian Film Centre Industry Showcase in the spring.
Behtash Fazlali is an actor and first-generation immigrant from Iran, raised in Toronto, Ontario. Growing up between two worlds, he found film early as a way to make sense of identity, contradiction, and the strange comedy of being human.
He is best known for his performance in the short film Motherland, which earned him a Canadian Screen Award in 2024.
A rising voice in the Canadian film industry, Behtash is drawn to stories that live in the tension where humor and discomfort sit side by side, and nothing is quite as simple as it first appears. He values collaboration, curiosity, and work that isn’t afraid to get a little messy in pursuit of truth. He is currently part of the CBC Actors Conservatory at the Canadian Film Centre, continuing to build work rooted in authenticity, edge, and heart.
Behtash Fazlali is an actor and first-generation immigrant from Iran, raised in Toronto, Ontario. Growing up between two worlds, he found film early as a way to make sense of identity, contradiction, and the strange comedy of being human.
He is best known for his performance in the short film Motherland, which earned him a Canadian Screen Award in 2024.
A rising voice in the Canadian film industry, Behtash is drawn to stories that live in the tension where humor and discomfort sit side by side, and nothing is quite as simple as it first appears. He values collaboration, curiosity, and work that isn’t afraid to get a little messy in pursuit of truth. He is currently part of the CBC Actors Conservatory at the Canadian Film Centre, continuing to build work rooted in authenticity, edge, and heart.
Storyline
In the dead hours of the night, a mother and her son attempt a gas station robbery and immediately begin arguing about everything else. As police sirens creep closer, old habits resurface and the plan becomes secondary as they realize they aren’t running toward the same exit.
Roles
| Role type | Role | Gender & Age range |
| Lead | MOM | Female 40 - 79 Years old |
Description Female, 40s - 70s, Iranian. Must speak Persian. Newly divorced and desperate for cash. She holds tightly to her newfound independence and sees vulnerability as a trap. She is stubborn, proud, and deeply allergic to being controlled. Having lived through a regime and a marriage that taught her silence as survival, she is done with both. Armed with a ceremonial sword and decades of survival instincts she treats the robbery as an insistence on being seen and heard on her own terms. Her love is real, but it refuses to look like weakness.Performance Note: A strong presence, restraint under pressure but a willingness to get messy. Dark Comedy not Sketch | ||
| Role type | Role | Gender & Age range |
| Supporting | STATION CLERK | Male 20 - 59 Years old |
Description Male, 20s - 50s, any ethnicity. The night-shift clerk is a quiet witness. Nervous but oddly uninvested, he complies just enough to stay alive and bored enough to keep reading his magazine. He comes to understand that this robbery isn’t just about money, and he wisely stays out of the argument. He’s not paid to intervene emotionally or otherwise.Performance Note: Subtlety is welcome, as the humor comes from restraint. The performance leans towards understated, natural, and reactive. Dark Comedy not Sketch. | ||